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National Operatic &
Dramatic Association
Society Membership
No. 00033092

Contact:   info@regisplayers.com  
tel: 01243 587825

 

 

NODA AWARD FOR 2016 PLAY
THE ODD COUPLE

At the NODA SE Region AGM on 2nd July our 2016 play 'The Odd Couple' by Neil Simon directed by Gill Lambourn was selected one of the three top plays staged by the 243 Amateur Societies in the SE Region.

Below: Gill presented with the Award by Kay Rowan, Councillor NODA SE Region. Photo courtesy of John Covey

 

 

The Regis Players

The Angina Monologues 

Reviewed by:  Jose Harrison on Sunday 6th August, 2017.

Venue: Felpham Village Hall.

Type of Production: Monologues.

Director: Gill Lambourn.

 

   SHOW REPORT

Once again we were treated to a great afternoon of entertainment and a superb cream tea. There is no nicer way to spend a Sunday afternoon than with friends where the hospitality is unsurpassed. This production was very cleverly directed with a very simple set allowing for fast scene changes which were accompanied by appropriate music.  The outfits worn by all the ladies fitted well for their personalities, their hair styles were apt and the make-up had been given much thought.

Sue Bartlett opened the show with a long and demanding piece telling us about her first (and probably last) cruise which she had been talked into taking by her neighbour. Her descriptions of the events were so vividly explained one felt one knew the person and places intimately. The punch line at the end was classic. Next we had a delightful interlude meeting a brilliantly lively Molly Servant, just out of drama and dance school, totally convinced she was getting a part in ‘Les. Mis’ or similar. She bounced about the stage changing the tempo completely.

Yvette Walters held us all entranced with her dog stories. She came over every inch a devoted dog lover and dressed the part to perfection. After a quick and spirited second visit by molly who seemed to have lost out in all her auditions but was in no way discouraged, we were entertained by Deborah Addicott at a bus stop, like the others, word perfect, carrying suitable props and telling her story convincingly. Act One finished with a moving story by Jeanette Fido telling us about the various hobbies and clubs she had joined since losing her husband.  This was a curious mixture of pathos and comedy making an excellent finish to the first half.

Now resplendently full of cream tea the curtain opened, for act two, onto Rebecca Moore in an outrageous outfit of bright blue blouse and orange skirt with orange hair to match. As she chewed gum she told us all about her remarkable visit in Greece with her friend Rhoda where they both consumed vast quantities of Bicardi Breezers. Liz Knight appeared next proving that, despite a seventeen year gap since her last performance, if you love the theatre and amdrams, you never lose the touch.  Well done. After another rapid scene change Jenny Dean crept on to the stage, nervous, insecure and indecisive. Her body language said it all. Her eyes looked either wild or completely lost and her hands and feet movements and long pauses completed the sad picture.

The final two stories commenced with Barbara Piedot, a sad elderly lady who had suffered with an even older transvestite husband, a mother who was, in her word, barmy and all whilst she was coping with a veruca. She found the perfect answer to this by using an apple corer!! Liz Emmerson closed this amusing afternoon’s production with an instruction on the beauty treatments available interspersed with the problems she faced living with Alan who was being unfaithful. This was incredibly clever as she never seemed to draw breath between the two subjects.

My congratulations go to Peter Barnett who wrote them all, Gill who directed and the ten ladies who all gave memorable performances.

National Operatic and Dramatic Association

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